
Riyaz ul Fus'haa
Mus’hafi is known to be a voracious reader and a great collector of notes on his readings. He is generally remembered as a poet who was much too prolific and resourceful with words than any other poet of his age. Mus’hafi’s works remained uncollected and unpublished for about a hundred fifty years after his death and were preserved in the form of manuscripts in various libraries. His eight divans in Urdu and two in Persian, as well as his eighty six qasidas , twenty mathnawis, three tazkiras—Aqd-e Surraiya, Tazkira-i-Hindi, and Riyaz-ul-Fasha--and an incomplete and unpublished miscellany of his Arabic and Persian poetry and prose writings called Majma-ul-Fawaayid, bear witness to his creative potential and remarkable pedantry. A mentor of many poets of his age, Mushafi echoed several masters of the past whose poetry he admired but worked incessantly to develop his own poetics by blending multiple influences in a harmonious whole of his poetic oeuvre. This book is basically a collection of his critical review of various famous poets of Urdu language.
Published By:
Ghulam Hamdani Mushafi
Published Date:
June 15, 2026
Pages:
407
Subjects:
Poetry
Available Format:
(46.49)
Action:
Description
Mus’hafi is known to be a voracious reader and a great collector of notes on his readings. He is generally remembered as a poet who was much too prolific and resourceful with words than any other poet of his age. Mus’hafi’s works remained uncollected and unpublished for about a hundred fifty years after his death and were preserved in the form of manuscripts in various libraries. His eight divans in Urdu and two in Persian, as well as his eighty six qasidas , twenty mathnawis, three tazkiras—Aqd-e Surraiya, Tazkira-i-Hindi, and Riyaz-ul-Fasha--and an incomplete and unpublished miscellany of his Arabic and Persian poetry and prose writings called Majma-ul-Fawaayid, bear witness to his creative potential and remarkable pedantry. A mentor of many poets of his age, Mushafi echoed several masters of the past whose poetry he admired but worked incessantly to develop his own poetics by blending multiple influences in a harmonious whole of his poetic oeuvre. This book is basically a collection of his critical review of various famous poets of Urdu language.